I don’t know about you, but I definitely stress-read.
I mean, I read all the time, and when I’m REALLY stressed, I do tend to watch Netflix instead of reading, but a step below that is stress-reading.
This is what I do when I’m at the end of a semester, usually. Books that fit this category are usually re-reads, or familiar authors. It’s like eating comfort food, but with books.
I noticed this semester that I actually turn to a particular genre, as well: detective fiction. In particular, I binge- read Agatha Christie and Dorothy Sayers, although I’m non-discriminatory in my author choices–new, old, I’ll take anyone. As long as it’s not thrillers or horror. Those are NOT relaxing.
For example, at the moment I’m listening to a full cast adaptation of seven of the Hercule Poirot stories. I’m also reading Still Waters by Vivica Stein, a contemporary Swedish novel featured in Amazon’s translated books series.
It seemed odd to me that I turn to detective fiction at the end of the year (I find murder relaxing? Is that a problem?), at least, until I thought about it for a little while.
Although Dorothy Sayers is a little bit of an exception, generally detective stories are focused entirely on the plot, and aside from wondering “whodunnit?” there’s not much else. That is, these books don’t really have highly rounded characters (though they certainly may be enjoyable ones), or even the most perfect prose. Thus, they offer the perfect solution to the words-weary English-grad mind: compelling stories that take little mental effort to read. You can try to figure out the mystery, of course, but you don’t have to expend a lot of energy on it. Also, you know how the story will end, in that you are very sure that the murderer will be caught and everything will be explained. When I’m frantically writing analytic essays and am worried about grades and due dates, this easy, assured reading is, indeed, relaxing.
So I thought, in light of this discovery, here are a few recommendations of classic murder mysteries, ones I love enough to re-read because they’re just so much fun.
Murder on the Orient Express. I mean, if you haven’t read this yet, what have you been doing? The Orient Express gets stuck in a snowdrift and one of the passengers is murdered. Only one of the twelve other passengers in the first-class cars could have done it, but who? The twists and turns of this novel keep me going even after I know the murderer; it’s marvelous. THE classic.
And then There Were None. Ten people are invited to a remote house on an otherwise deserted island. Their hosts never show. Then people start dying.
Apparently Christie set out to create the most perfect, watertight crime in this novel, and it is so good she had to reveal the murderer in a (kind of hokey) epilogue. The slightly horror vibe here is great, and again, the reveal is stunning.
The Murder of Rodger Ackroyd. What’s brilliant about this novel is you’re really sure it’s one of Christie’s typical “murder in the English Countryside” novels until it’s absolutely different from all the others. I’m not even going to say anything else. This was so genius.
Whose Body? The first of her Lord Peter mysteries. A middle-class man finds a dead body in his bathtub, and at first it’s thought he’s the missing Levy. Except he’s not. So who is the dead body, and where’s Levy?
Introducing Lord Peter, this is, in my opinion, the most typical of Sayers’ mysteries, but start with this one because they only get better from here.
Murder Must Advertise. An ad man is killed, and Lord Peter is invited by the owner of the agency to go undercover and solve the mystery. I love this one because Sayers had previously worked in advertising, and aside from a compelling mystery, she gently satirizes advertising, a satire which is surprisingly relevant today. Apparently the ethos of ads hasn’t changed much from the 1920s. Also, the agency employees are delightful characters.
Finally, in case you’re wondering, I’m enjoying Still Waters. I was a little annoyed with the prose until the mystery got going, and now I don’t mind it as much. It is very much a typical Swedish detective story; the main detective is ruggedly handsome with a sad past and all the ladies want him but he doesn’t notice them…. you know. That kind of book.
How about you? Do you turn to a particular genre or particular authors when you’re stressed? What’s your book comfort food?